Showing posts with label The Sound and the Fury. Show all posts
Showing posts with label The Sound and the Fury. Show all posts

Sunday, June 28, 2009

Newsweek: Top 100 Books

First posted 6/9/2020.

Newsweek:

Top 100 Books

Newsweek’s list was assembled by aggregating ten other lists. Unfortunately, the ten are not all referenced, but the article does say it included Modern Library, Oprah Winfrey’s book club selections, a reading list for St. John’s College, and Britain’s Daily Telegraph list of “the perfect library.”

  1. Leo Tolstoy War and Peace (1869)
  2. George Orwell 1984 (1949)
  3. James Joyce Ulysses (1922)
  4. Vladimir Nabokov Lolita (1955)
  5. William Faulkner The Sound and the Fury (1929)
  6. Ralph Ellison Invisible Man (1952)
  7. Virginia Woolf To the Lighthouse (1927)
  8. Homer The Odyssey (800 B.C.) / The Iliad (800 B.C.)
  9. Jane Austen Pride and Prejudice (1813)
  10. Dante Alighieri Divina Commedia (The Divine Comedy) (1304)

  11. Geoffrey Chaucer The Canterbury Tales (1387)
  12. Jonathan Swift Gulliver’s Travels (1726)
  13. George Eliot Middlemarch, a Study of Provincial Life (1872)
  14. Chinua Achebe Things Fall Apart (1958)
  15. J.D. Salinger The Catcher in the Rye (1951)
  16. Margaret Mitchell Gone with the Wind (1936)
  17. Gabriel García Márquez One Hundred Years of Solitude (1967)
  18. F. Scott Fitzgerald The Great Gatsby (1925)
  19. Joseph Heller Catch-22 (1961)
  20. Toni Morrison Beloved (1987)

  21. John Steinbeck The Grapes of Wrath (1939)
  22. Salman Rushdie Midnight’s Children (1981)
  23. Aldous Huxley Brave New World (1932)
  24. Virginia Woolf Mrs. Dalloway (1925)
  25. James Baldwin Notes of a Native Son (1955)
  26. Alexis de Tocqueville Democracy in America (1840)
  27. Charles Darwin The Origin of Species (1859)
  28. Herodotus The Histories of Herodotus (5th century)
  29. Jean-Jacques Rousseau The Social Contract (1762)
  30. Karl Marx Das Kapital (1867)

  31. Niccolo Machiavelli The Prince (1532)
  32. St. Augustine of Hippo The Confessions (400 A.D.)
  33. Thomas Hobbes Leviathan (1651)
  34. Thucydides The History of the Peloponnesian War (5th century)
  35. J.R.R. Tolkien The Lord of the Rings (trilogy: 1954-55)
  36. A.A. Milne Winnie-the-Pooh (1926)
  37. C.S. Lewis The Chronicles of Narnia (series, 1950-1956)
  38. E.M. Forster A Passage to India (1924)
  39. Jack Kerouac On the Road (1957)
  40. Harper Lee To Kill a Mockingbird (1960)

  41. various writers The Holy Bible: King James Version (1451)
  42. Anthony Burgess A Clockwork Orange (1962)
  43. William Faulkner Light in August (1932)
  44. W.E. Burghardt Du Bois The Souls of Black Folk: Essays and Sketches (1903)
  45. Jean Rhys Wide Saragosso Sea (1966)
  46. Gustave Flaubert Madame Bovary (1857)
  47. John Milton Paradise Lost (1667)
  48. Leo Tolstoy Anna Karenina (1877)
  49. William Shakespeare Hamlet (1603)
  50. William Shakespeare King Lear (1608)

  51. William Shakespeare Othello (1609)
  52. William Shakespeare The Sonnets (1609)
  53. Walt Whitman Leaves of Grass (1855)
  54. Mark Twain The Adventures of Huckleberry Finn (1884)
  55. Rudyard Kipling Kim (1901)
  56. Mary Shelley Frankenstein (1818)
  57. Toni Morrison Song of Solomon (1977)
  58. Ken Kesey One Flew Over the Cuckoo’s Nest (1962)
  59. Ernest Hemingway For Whom the Bell Tolls (1940)
  60. Kurt Vonnegut Slaughterhouse-Five (1969)

  61. George Orwell Animal Farm (1954)
  62. William Golding Lord of the Flies (1954)
  63. Truman Capote In Cold Blood (1966)
  64. Doris Lessing The Golden Notebook (1962)
  65. Marcel Proust In Search of Lost Time (1913)
  66. Raymond Chandler The Big Sleep (1939)
  67. William Faulkner As I Lay Dying (1930)
  68. Ernest Hemingway The Sun Also Rises (1926)
  69. Robert Graves I, Claudius (1934)
  70. Carson McCullers The Heart Is a Lonely Hunter (1940)

  71. D.H. Lawrence Sons and Lovers (1913)
  72. Robert Penn Warren All the King’s Men (1946)
  73. James Baldwin Go Tell It on the Mountain (1953)
  74. E.B. White Charlotte’s Web (1952)
  75. Joseph Conrad Heart of Darkness (1899)
  76. Elie Wiesel Night (Un di Velt Hot Geshvign) (1958)
  77. John Updike Rabbit, Run (1960)
  78. Edith Wharton The Age of Innocence (1920)
  79. Philip Roth Portnoy’s Complaint (1969)
  80. Theodore Dreiser An American Tragedy (1925)

  81. Nathanael West The Day of the Locust (1939)
  82. Henry Miller Tropic of Cancer (1934)
  83. Dashiell Hammett The Maltese Falcon (1929)
  84. Philip Pullman His Dark Materials (trilogy: 1995-2000)
  85. Willa Cather Death Comes for the Archbishop (1927)
  86. Sigmund Freud The Interpreation of Dreams (1900)
  87. Henry Adams The Education of Henry Adams (1907)
  88. Mao Zedong Quotations from Chairman Mao Tse-tung (Little Red Book) (1966)
  89. William James The Varieties of Religious Experience (1902)
  90. Evelyn Waugh Brideshead Revisited (1945)

  91. Rachel Carson Silent Spring (1962)
  92. John Maynard Keynes General Theory of Employment, Interest, and Money (1936)
  93. Joseph Conrad Lord Jim (1900)
  94. Robert Graves Goodbye to All That (1929)
  95. John Kenneth Galbraith The Affluent Society (1958)
  96. William Grahame The Wind in the Willows (1908)
  97. Alex Haley & Malcolm X The Autobiography of Malcolm X (1965)
  98. Lytton Strachey Eminent Victorians (1918)
  99. Alice Walker The Color Purple (1982)
  100. Winston Churchill The Second World War (6 volumes, 1953)

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Tuesday, October 20, 1998

Modern Library: 100 Best Novels

First posted 6/9/2020.

image from the Modern Library
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Modern Library:

100 Best Novels

Modern Library assembled top 100 lists of the best novels and non-fiction books based on online votes. The poll for the novels closed on October 20, 1998 with 217,520 votes cast. Here are the results:

  1. James Joyce Ulysses (1922)
  2. F. Scott Fitzgerald The Great Gatsby (1925)
  3. James Joyce A Portrait of the Artist as a Young Man (1916)
  4. Vladimir Nabokov Lolita (1955)
  5. Aldous Huxley Brave New World (1932)
  6. William Faulkner The Sound and the Fury (1929)
  7. Joseph Heller Catch-22 (1961)
  8. Arthur Koestler Darkness at Noon (1940)
  9. D.H. Lawrence Sons and Lovers (1913)
  10. John Steinbeck The Grapes of Wrath (1939)

  11. Malcolm Lowry Under the Volcano (1947)
  12. Samuel Butler The Way of All Flesh (1903)
  13. George Orwell 1984 (1949)
  14. Robert Graves I, Claudius (1934)
  15. Virginia Woolf To the Lighthouse (1927)
  16. Theodore Dreiser An American Tragedy (1925)
  17. Carson McCullers The Heart Is a Lonely Hunter (1940)
  18. Kurt Vonnegut Slaughterhouse-Five (1969)
  19. Ralph Ellison Invisible Man (1952)
  20. Richard Wright Native Son (1940)

  21. Saul Bellow Henderson the Rain King (1959)
  22. John O’Hara Appointment in Samarra (1934)
  23. John Dos Passos U.S.A. (Trilogy) (1936)
  24. Sherwood Anderson Winesburg, Ohio (1919)
  25. E.M. Forster A Passage to India (1924)
  26. Henry James The Wings of the Dove (1902)
  27. Henry James The Ambassadors (1903)
  28. F. Scott Fitzgerald Tender Is the Night (1934)
  29. James T. Farrell The Studs Lonigan Trilogy (1935)
  30. Ford Madox Ford The Good Soldier (1915)

  31. George Orwell Animal Farm (1954)
  32. Henry James The Golden Bowl (1904)
  33. Theodore Dreiser Sister Carrie (1900)
  34. Evelyn Waugh A Handful of Dust (1934)
  35. William Faulkner As I Lay Dying (1930)
  36. Robert Penn Warren All the King’s Men (1946)
  37. Thornton Wilder The Bridge of San Luis Rey (1928)
  38. E.M. Forster Howards End (1910)
  39. James Baldwin Go Tell It on the Mountain (1953)
  40. Graham Greene The Heart of the Matter (1948)

  41. William Golding Lord of the Flies (1954)
  42. James Dickey Deliverance (1970)
  43. Anthony Powell A Dance to the Music of Time (Series) (1975)
  44. Aldous Huxley Point Counter Point (1928)
  45. Ernest Hemingway The Sun Also Rises (1926)
  46. Joseph Conrad The Secret Agent (1926)
  47. Joseph Conrad Nostromo (1904)
  48. D.H. Lawrence The Rainbow (1915)
  49. D.H. Lawrence Women in Love (1920)
  50. Henry Miller Tropic of Cancer (1934)

  51. Norman Mailer The Naked and the Dead (1948)
  52. Philip Roth Portnoy’s Complaint (1969)
  53. Vladimir Nabokov Pale Fire (1962)
  54. William Faulkner Light in August (1932)
  55. Jack Kerouac On the Road (1957)
  56. Dashiell Hammett The Maltese Falcon (1929)
  57. Ford Madox Ford Parade’s End (1928)
  58. Edith Wharton The Age of Innocence (1920)
  59. Max Beerbohm Zuleika Dobson (1911)
  60. Walker Percy The Moviegoer (1961)

  61. Willa Cather Death Comes for the Archbishop (1927)
  62. James Jones From Here to Eternity (1951)
  63. John Cheever The Wapshot Chronicles (1958)
  64. J.D. Salinger The Catcher in the Rye (1951)
  65. Anthony Burgess A Clockwork Orange (1962)
  66. W. Somerset Maugham Of Human Bondage (1915)
  67. Joseph Conrad Heart of Darkness (1899)
  68. Sinclair Lewis Main Street (1920)
  69. Edith Wharton The House of Mirth (1905)
  70. Lawrence Durrell The Alexandria Quartet (1960)

  71. Richard Hughes A High Wind in Jamaica (1929)
  72. V.S. Naipaul A House for Mr. Biswas (1961)
  73. Nathanael West The Day of the Locust (1939)
  74. Ernest Hemingway A Farewell to Arms (1929)
  75. Evelyn Waugh Scoop (1938)
  76. Muriel Spark The Prime of Miss Jean Brodie (1960)
  77. James Joyce Finnegan’s Wake (1941)
  78. Rudyard Kipling Kim (1901)
  79. E.M. Forster A Room with a View (1908)
  80. Evelyn Waugh Brideshead Revisited (1945)

  81. Saul Bellow The Adventures of Augie March (1953)
  82. Wallace Stegner Angle of Repose (1971)
  83. V.S. Naipaul A Bend in the River (1979)
  84. Elizabeth Bowen The Death of the Heart (1938)
  85. Joseph Conrad Lord Jim (1900)
  86. E.L. Doctorow Ragtime (1975)
  87. Arnold Bennett The Old Wives’ Tale (1908)
  88. Jack London The Call of the Wild (1903)
  89. Henry Green Loving (1945)
  90. Salman Rushdie Midnight’s Children (1981)

  91. Erskine Caldwell Tobacco Road (1932)
  92. William Kennedy Ironweed (1983)
  93. John Fowles The Magus (1965)
  94. Jean Rhys Wide Sargasso Sea (1966)
  95. Iris Murdoch Under the Net (1954)
  96. William Styron Sophie’s Choice (1979)
  97. Paul Bowles The Sheltering Sky (1949)
  98. James M. Cain The Postman Always Rings Twice (1934)
  99. J.P. Donleavy The Ginger Man (1955)
  100. Booth Tarkington The Magnificent Ambersons (1919)

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Sunday, October 7, 1979

William Faulkner's The Sound and the Fury published 50 years ago today

First posted 6/9/2020; updated 7/6/2020.

The Sound and the Fury

William Faulkner

First Publication: October 7, 1929


Category: gothic fiction


Sales: ?

Accolades:

About the Book:

Faulkner’s fourth novel, The Sound and the Fury, was not successful when initially published in 1929, but started getting critical attention after the publication of Sanctuary in 1931. WK In fact, critics came to see it as his masterpiece LC and Faulkner himself considered it his favorite. LC It has since been embraced as “one of the greatest novels of the twentieth century.” AZ In 1950, he was awarded the Nobel Prize and in 1951 he received France’s Legion of Honor. LC

The action is “set in the fictional county of Yoknapatawpha, Mississippi, as are most of Faulkner’s novels,” LC and “uses the American South as a metaphor for a civilization in decline” LC in the post-Civil War era. The story “centers on the Compson family, former Southern aristocrats…struggling to deal with the dissolution of their family and its reputation. Over the course of the 30 years or so related in the novel, the family falls into financial ruin, loses its religious faith and the respect of the town of Jefferson, and many of them die tragically.” WK

“The novel is divided into four parts, each told by a different narrator,” LC “some of the most memorable characters in literature.” AZ It “employs a number of narrative styles, including stream of consciousness,” WK“in which a character’s thoughts are conveyed in a manner roughly equivalent to the way human minds actually work.” LC

The intellectually-disabled “Benjy” Compson’s section “is characterized by a highly disjointed narrative style with frequent chronological leaps.” WK “The haunted, neurotic Quentin,” AZ Benjy’s older brother, and the events leading up to his suicide are the focus of section two. The third section is told from “the point of view of Jason, Quentin’s cynical younger brother.” WK “The last section primarily focuses on Dilsey, one of the Compsons’ black servants” WK and is told from “a third person omniscient point of view.” WK


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